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Chapter Eight. Maxed Out: Miramax and Indiewood in the New Millennium
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Alisa Perren
© 2021 University of Texas Press
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Chapter One. Finding a Niche in the 1990s 1
- Chapter Two. The Rise of Miramax and the Quality Indie Blockbuster (1979–Fall 1992) 16
- Chapter Three. The “Secret” of Miramax’s Success: The Crying Game (Winter 1992–Spring 1993) 54
- Chapter Four. Corsets, Clerks, and Criminals: Miramax in the Age of Disney (Summer 1993–Spring 1995) 78
- Chapter Five. Another Dimension to the Miramax Brand: Kids, Scream, and the Teen Audience (Spring 1995–Spring 1997) 113
- Chapter Six. Majors, Indies, Independents: The Rise of a Three-Tier System (Winter 1996–Spring 1997) 144
- Chapter Seven. Who Says Life Is Beautiful? (Summer 1997–Spring 1999) 176
- Chapter Eight. Maxed Out: Miramax and Indiewood in the New Millennium 208
- Notes 235
- Selected Bibliography 285
- Index 291
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Chapter One. Finding a Niche in the 1990s 1
- Chapter Two. The Rise of Miramax and the Quality Indie Blockbuster (1979–Fall 1992) 16
- Chapter Three. The “Secret” of Miramax’s Success: The Crying Game (Winter 1992–Spring 1993) 54
- Chapter Four. Corsets, Clerks, and Criminals: Miramax in the Age of Disney (Summer 1993–Spring 1995) 78
- Chapter Five. Another Dimension to the Miramax Brand: Kids, Scream, and the Teen Audience (Spring 1995–Spring 1997) 113
- Chapter Six. Majors, Indies, Independents: The Rise of a Three-Tier System (Winter 1996–Spring 1997) 144
- Chapter Seven. Who Says Life Is Beautiful? (Summer 1997–Spring 1999) 176
- Chapter Eight. Maxed Out: Miramax and Indiewood in the New Millennium 208
- Notes 235
- Selected Bibliography 285
- Index 291